1
00:00:05,440 --> 00:00:10,380
Oh, is this the one that had the girl
getting the ax in the head?

2
00:00:10,680 --> 00:00:11,680
Yeah, that's it.

3
00:00:12,600 --> 00:00:15,440
That had nothing to do with the original
story. I added that in there.

4
00:00:15,660 --> 00:00:17,380
Did you? As an afterthought.

5
00:00:22,920 --> 00:00:25,560
I don't know why I did it, but I did it.

6
00:00:25,780 --> 00:00:27,240
I thought it would help sell it.

7
00:00:27,640 --> 00:00:31,580
Was this all shot in this area here?
This was shot in Buena Park.

8
00:00:32,060 --> 00:00:33,060
Oh, nice.

9
00:00:34,190 --> 00:00:36,550
That's just five minutes from here,
right?

10
00:00:41,170 --> 00:00:42,170
Pretty good effect.

11
00:00:42,910 --> 00:00:49,750
Yeah. But... The best part of the

12
00:00:49,750 --> 00:00:52,410
effect is the camera moving in that way.

13
00:00:56,210 --> 00:00:59,330
See, but it... Oh, we had fun with this
girl.

14
00:01:17,550 --> 00:01:21,190
I don't believe their names are on the
back of the car or anything yet.

15
00:01:21,390 --> 00:01:24,310
Well, I may have put her name. I don't
know. I don't remember her name, to be

16
00:01:24,310 --> 00:01:25,310
honest with you.

17
00:01:25,650 --> 00:01:29,510
I know the girl that got the first one
was a tomahawk. Now, that was at Cypress

18
00:01:29,510 --> 00:01:30,510
College.

19
00:01:30,630 --> 00:01:31,548
Oh, nice.

20
00:01:31,550 --> 00:01:32,570
At Cypress College.

21
00:01:32,890 --> 00:01:37,550
And that's a stuntman playing Bob
Axelrod there.

22
00:01:38,710 --> 00:01:41,590
What happened here was you'll see him
get hit by a car.

23
00:01:42,270 --> 00:01:45,250
He broke the windshield of the car. He
wasn't supposed to do that.

24
00:01:56,360 --> 00:01:58,400
Have you been around this area lately?

25
00:01:59,200 --> 00:02:03,100
Yeah, it's not too far from here. It's
maybe 15 minutes from here. Oh, cool.

26
00:02:04,680 --> 00:02:09,220
Cypress College is between, it's two
minutes from Buena Park.

27
00:02:10,740 --> 00:02:13,220
I wonder if it still kind of looks how
it looks here.

28
00:02:13,440 --> 00:02:14,800
Yeah, it looks the same, basically.

29
00:02:17,900 --> 00:02:18,900
Well,

30
00:02:19,360 --> 00:02:21,180
they didn't show the part where we went
over the car.

31
00:02:23,619 --> 00:02:27,860
Was that all? Do you think all that
stuff was what had been edited out

32
00:02:27,860 --> 00:02:32,480
Well, I don't know why they edited that
out. It was a pretty good bit. But

33
00:02:32,480 --> 00:02:33,520
anyway, I don't know.

34
00:02:40,340 --> 00:02:41,340
Cyprus police.

35
00:02:42,340 --> 00:02:43,340
There you are.

36
00:02:46,220 --> 00:02:49,600
That's not a bad little opening there.
No, it's a matter of two generations.

37
00:02:51,720 --> 00:02:55,300
Yeah. It's abruptly cut. Yeah. That was
my dad talking.

38
00:02:55,520 --> 00:02:56,520
There's Robert.

39
00:02:58,880 --> 00:03:02,740
He... Oh, that's Hollywood. That's...
Oh, Paramount.

40
00:03:03,380 --> 00:03:05,860
No, that was Coinga Boulevard.

41
00:03:07,220 --> 00:03:08,940
In Hollywood. This is Hollywood.

42
00:03:13,020 --> 00:03:15,580
But that's not where he was standing.

43
00:03:18,250 --> 00:03:21,250
Is this all that cutaway stuff that you
were shooting when you had that thing?

44
00:03:21,250 --> 00:03:22,730
Yes, exactly. That's what that was.

45
00:03:27,810 --> 00:03:29,830
Yeah, he's been in some pretty good
movies.

46
00:03:30,190 --> 00:03:34,430
Yeah, that's a bookstore, a bookstall on
Coinga and what used to be there. I

47
00:03:34,430 --> 00:03:35,430
don't live up there anymore.

48
00:03:36,970 --> 00:03:38,550
And this is Buena Park right here.

49
00:03:44,690 --> 00:03:45,930
That's cool that you got away with it.

50
00:03:47,120 --> 00:03:48,300
Having guns in the street.

51
00:04:05,340 --> 00:04:09,520
That girl on the ground there was a...

52
00:04:09,520 --> 00:04:15,800
She was a stunt girl at Knott's Berry
Farm.

53
00:04:18,570 --> 00:04:19,570
I wonder if she's still there.

54
00:04:19,950 --> 00:04:20,950
No.

55
00:04:22,130 --> 00:04:23,130
She's too old now.

56
00:04:26,370 --> 00:04:29,950
Yeah, like these little songs throughout
the movie are really good, I think I

57
00:04:29,950 --> 00:04:31,610
did. Glenn Baxley's very good.

58
00:04:31,870 --> 00:04:37,770
He did the music for the rescore for me
for Three Bad Men. He's very good, and

59
00:04:37,770 --> 00:04:39,830
he also did the score for me for The
Alley.

60
00:04:46,290 --> 00:04:47,730
Yeah, this is a good little song.

61
00:04:49,380 --> 00:04:51,020
I have no idea who these people are.

62
00:04:51,860 --> 00:04:52,900
No idea who they are.

63
00:04:53,280 --> 00:04:56,000
None. Maybe when I see the girl, I could
tell you.

64
00:04:57,080 --> 00:04:59,240
Unless that's at...

65
00:04:59,240 --> 00:05:06,100
I don't know. Maybe he's... I don't
know. I'll see

66
00:05:06,100 --> 00:05:07,100
him better.

67
00:05:20,110 --> 00:05:23,550
So this is all like in the outspirits?
I'm sure there's stuff built around

68
00:05:23,550 --> 00:05:30,530
now. This, if I'm not mistaken... I

69
00:05:30,530 --> 00:05:36,690
don't... I can't remember who shot this.
I have no idea where the hell I am. I

70
00:05:36,690 --> 00:05:37,690
have no clue.

71
00:05:43,890 --> 00:05:47,130
It's not in L .A. County. It's somewhere
down in Orange County or...

72
00:05:49,469 --> 00:05:51,630
Yeah, it's Orange County somewhere.
South Orange County.

73
00:06:06,410 --> 00:06:08,230
Do you keep in touch with that guy at
all?

74
00:06:09,010 --> 00:06:10,390
I have no idea who that guy is.

75
00:06:30,700 --> 00:06:31,800
I don't remember the sequence.

76
00:06:38,020 --> 00:06:40,520
So this all took, you said, 14 days?

77
00:06:41,620 --> 00:06:44,440
No, about 12,

78
00:06:46,500 --> 00:06:48,300
13, 14 days, something like that.

79
00:06:50,100 --> 00:06:53,340
I don't know who these people are. I
have no clue where I even got them.

80
00:06:56,240 --> 00:06:57,440
I'd like to see her again.

81
00:06:57,960 --> 00:06:58,960
Yeah.

82
00:07:13,520 --> 00:07:16,760
Did you ever talk to that other guy? The
guy on the right? His name is Lonnie

83
00:07:16,760 --> 00:07:18,560
Withers. He lives up in Hesperia.

84
00:07:19,220 --> 00:07:20,640
I haven't talked to him in years.

85
00:07:34,180 --> 00:07:37,660
As I seem to recall, this couple were
actually boyfriend and girlfriend.

86
00:07:38,460 --> 00:07:39,460
I think.

87
00:07:40,340 --> 00:07:41,340
I'm not sure.

88
00:07:44,360 --> 00:07:47,620
She's got some little cut -off shorts or
boy shorts.

89
00:07:54,660 --> 00:07:57,320
You don't have a copy of this soundtrack
by chance, do you?

90
00:07:57,860 --> 00:07:59,580
Soundtrack? Yeah, like all these songs.

91
00:08:00,920 --> 00:08:01,920
Oh,

92
00:08:08,500 --> 00:08:10,260
she lifts her blouse here. I remember
that.

93
00:08:10,860 --> 00:08:12,400
Or her skirt, something, whatever.

94
00:08:23,560 --> 00:08:24,780
I remember her face.

95
00:08:25,100 --> 00:08:27,720
I remember her, and I'm trying to
remember where I got her.

96
00:08:35,140 --> 00:08:38,260
Did you have any people bother you while
you were shooting all this?

97
00:08:39,659 --> 00:08:43,900
I've only had one person ever bother me
one time when we were filming, and that

98
00:08:43,900 --> 00:08:46,400
was on Children of the Road, the hobo
movie.

99
00:08:47,580 --> 00:08:50,800
Some raving lunatic came up there and
said, this is my property.

100
00:08:51,220 --> 00:08:54,900
It belonged to my grandfather from a
Mexican grand and all this other stuff.

101
00:08:55,100 --> 00:08:57,380
It was the evening when he came up. We'd
already finished.

102
00:08:58,480 --> 00:09:00,960
But I stood there and told him, piss my
ass.

103
00:09:01,520 --> 00:09:03,180
I was going to stay there and finish.

104
00:09:04,040 --> 00:09:05,800
I don't let people intimidate me at all.

105
00:09:07,500 --> 00:09:11,020
Oh, and the only other time was when we
were making this movie. I'll tell you

106
00:09:11,020 --> 00:09:12,020
about the devil cult.

107
00:09:14,600 --> 00:09:15,640
I'll tell you about that.

108
00:10:00,840 --> 00:10:04,960
In order to shoot scenes like this,
you've got to scout it out and make sure

109
00:10:04,960 --> 00:10:07,220
it's a lonely place. There's nobody
around, you know.

110
00:10:07,480 --> 00:10:09,560
And then you have pretty much carte
blanche.

111
00:10:10,220 --> 00:10:13,320
And you don't go in carrying a lot of
equipment and all that other stuff. You

112
00:10:13,320 --> 00:10:14,440
don't park cars all together.

113
00:10:39,150 --> 00:10:40,150
I remember that.

114
00:10:42,190 --> 00:10:43,190
I remember that.

115
00:10:47,070 --> 00:10:48,370
Have you seen him lately?

116
00:10:49,050 --> 00:10:51,970
No, he talked to me, called me, I don't
know, a couple of years ago.

117
00:10:53,330 --> 00:10:55,710
Maybe more than that, maybe four or five
years ago.

118
00:10:56,270 --> 00:11:01,310
And we talked, and I was going to get
together, but I never got the chance to

119
00:11:01,310 --> 00:11:04,890
get together. I was too busy. But I told
him I'd use him again. He's a hell of a

120
00:11:04,890 --> 00:11:05,890
good actor.

121
00:11:08,400 --> 00:11:14,000
And after we had our little
confrontation down here in location, he

122
00:11:14,000 --> 00:11:15,000
after that.

123
00:11:17,140 --> 00:11:22,400
He looks like Greg Hawks from The Cars.
I don't know if you're familiar with

124
00:11:22,400 --> 00:11:25,220
him. Yeah. He looks like the keyboard
player. A little bit in the eyes.

125
00:11:25,640 --> 00:11:26,640
Yeah.

126
00:11:40,620 --> 00:11:43,200
He doesn't look that young anymore. He's
really weathered. Have you seen him

127
00:11:43,200 --> 00:11:48,380
lately? No, I haven't. Oh, he's really
weathered. I mean, he looks much, much,

128
00:11:48,380 --> 00:11:49,500
much older than he is.

129
00:12:09,660 --> 00:12:14,620
come from like did you watch i spit on
your grave or any of those movies i

130
00:12:14,620 --> 00:12:19,660
saw that movie a lot of people ask me
just did this come from this movie i

131
00:12:19,660 --> 00:12:23,440
i don't i'm not one of those people that
goes out and sees a lot of movies no no

132
00:12:23,440 --> 00:12:25,120
most

133
00:12:25,120 --> 00:12:32,120
of the time i'm disappointed in

134
00:12:32,120 --> 00:12:33,120
what i see

135
00:12:39,790 --> 00:12:43,970
On this movie, were you able to just do
what you want, or did they have, like,

136
00:12:44,010 --> 00:12:48,190
other than what they cut out, it was all
what you wanted to do? I got what I

137
00:12:48,190 --> 00:12:51,090
wanted. I was the guy. I was the man out
there. I mean, I got what I wanted.

138
00:12:51,350 --> 00:12:54,050
The problem I had was with anybody.

139
00:12:55,250 --> 00:12:58,570
Mine and his little disagreement was a
quick thing. It was no problem.

140
00:12:59,010 --> 00:13:05,550
But with the girls, those four girls,
once I got them out on location, see the

141
00:13:05,550 --> 00:13:06,550
oriental girl there?

142
00:13:06,860 --> 00:13:10,760
Oh, yeah, his flashback? Yeah, there's a
scene in there where he's back in

143
00:13:10,760 --> 00:13:15,900
Vietnam, the other guy, and he visits
this Oriental prostitute. She was

144
00:13:15,900 --> 00:13:19,280
beautiful. She was gorgeous. She wanted
to keep filming.

145
00:13:19,620 --> 00:13:23,820
I literally ran out of film after we
shot everything. I mean, I barely made

146
00:13:23,840 --> 00:13:25,060
but she wanted to keep filming.

147
00:13:26,140 --> 00:13:29,280
She was just a wonderful person, totally
wonderful person.

148
00:13:32,990 --> 00:13:36,370
He and I got into a disagreement one
night after we got through filming.

149
00:13:36,730 --> 00:13:39,850
We had dinner and then we were supposed
to rehearse at Lonnie's house. He was

150
00:13:39,850 --> 00:13:40,850
living out of his spirit.

151
00:13:40,970 --> 00:13:42,870
And he said, I don't want to rehearse.

152
00:13:43,130 --> 00:13:47,470
So he said, I'm going back to the motel.
I grabbed him and I slammed him up

153
00:13:47,470 --> 00:13:48,470
against the car.

154
00:13:49,910 --> 00:13:52,910
And I said, look, you son of a bitch,
I'm putting the money into this movie.

155
00:13:53,190 --> 00:13:55,770
And you're going to goddamn well do what
I say or you're out of here.

156
00:13:56,390 --> 00:13:58,590
He was fine after that. Never had a
problem with him again.

157
00:13:59,250 --> 00:14:01,750
I just had to shake him up. It was his
first starring role.

158
00:14:02,280 --> 00:14:03,860
He was just starting out and he was
nervous.

159
00:14:04,360 --> 00:14:09,380
So this girl, another one that caused me
problems.

160
00:14:10,460 --> 00:14:14,480
I thought she was sexy until she took
off that thing, that big ass.

161
00:14:17,400 --> 00:14:18,400
Too big.

162
00:14:20,880 --> 00:14:22,720
It almost looks like she has a bikini
on.

163
00:14:23,000 --> 00:14:26,260
No, no, that was her. That was her
nudity.

164
00:14:26,860 --> 00:14:29,860
That was shot in a house in La Mirada,
as I recall.

165
00:14:31,370 --> 00:14:34,890
As far as where she was running prior to
this, is it the same area? That was in

166
00:14:34,890 --> 00:14:35,890
that same area.

167
00:14:36,370 --> 00:14:41,170
Her husband was a merchant sailor or a
Navy guy.

168
00:14:42,770 --> 00:14:44,570
I knew him from Knott's Berry Farm.

169
00:14:45,770 --> 00:14:48,690
I think that's where I got most of these
people from Knott's Berry Farm.

170
00:14:55,870 --> 00:15:00,170
Well, so far, this isn't as bad as I
thought it was going to be, you know.

171
00:15:01,500 --> 00:15:02,500
No, it's good.

172
00:15:07,320 --> 00:15:10,000
But she had no problem with the nudity.
It didn't bother her at all.

173
00:15:15,160 --> 00:15:18,940
I remember when we shot it, I was
standing right behind the cameraman.

174
00:15:19,200 --> 00:15:24,940
And when she took the towel off, you
looked at me like... I had to hold

175
00:15:24,940 --> 00:15:25,940
from laughing.

176
00:15:26,820 --> 00:15:27,820
Oh, God.

177
00:15:27,980 --> 00:15:28,980
But you get what you get.

178
00:15:29,580 --> 00:15:32,440
Paying them hardly any money, so what do
you expect, you know? Yeah.

179
00:15:35,540 --> 00:15:40,960
So this green car, this car, this
particular one, whose was that?

180
00:15:41,220 --> 00:15:42,220
Do you remember?

181
00:15:42,240 --> 00:15:43,240
I don't remember.

182
00:15:43,260 --> 00:15:44,260
It wasn't mine.

183
00:15:44,860 --> 00:15:50,060
I don't know. At that time, what was I
driving? I was driving a Pinto.

184
00:15:50,260 --> 00:15:52,600
This was the other one that was an
idiot.

185
00:16:19,440 --> 00:16:22,580
What, they cut out the dialogue there
where she sees her mother come in the

186
00:16:22,580 --> 00:16:24,200
door? Oh, no.

187
00:16:28,040 --> 00:16:28,480
Thank

188
00:16:28,480 --> 00:16:45,900
you.

189
00:16:55,790 --> 00:16:57,350
I think that's La Mirada there, too.

190
00:16:58,330 --> 00:17:01,430
Or Buena Park, one of the two, I don't
remember. That's more like La Mirada.

191
00:17:01,630 --> 00:17:05,690
That kind of looks like my aunt's house,
the one that she lives in. Buena Park?

192
00:17:05,910 --> 00:17:08,150
Yeah, that's probably where that was.
It's kind of like that area.

193
00:17:08,710 --> 00:17:11,550
I shot everything pretty much locally
until we got out to the desert.

194
00:17:46,600 --> 00:17:47,600
Not a bad little actress.

195
00:17:48,800 --> 00:17:51,860
Yeah, she's the one that likes to scream
a lot in this movie.

196
00:18:07,580 --> 00:18:12,300
Yeah, when we were editing this, the
audio to clear it up a little bit.

197
00:18:13,200 --> 00:18:17,640
The audio guy I work with, he's like,
they don't make cars like that because

198
00:18:17,640 --> 00:18:20,740
hoods would crush it because they don't
have the steel bars.

199
00:18:21,500 --> 00:18:22,680
It's just one flat roof.

200
00:18:24,900 --> 00:18:28,040
Well, I cut the picture and I cut the
audio and I didn't know what the hell I

201
00:18:28,040 --> 00:18:29,040
was doing at that time.

202
00:18:29,240 --> 00:18:32,920
It's not the first picture I cut, but
it's the first one with sound.

203
00:18:33,800 --> 00:18:35,600
I was learning.

204
00:19:03,560 --> 00:19:05,040
You know who that guy is working on the
bike?

205
00:19:05,440 --> 00:19:06,440
Yeah.

206
00:19:07,720 --> 00:19:12,920
I think.

207
00:19:13,200 --> 00:19:14,560
I may be wrong.

208
00:19:15,620 --> 00:19:22,460
Yeah. That was the... No, I don't know.

209
00:19:22,520 --> 00:19:24,940
I was going to say it was the sound man,
but I don't think so.

210
00:19:27,320 --> 00:19:28,320
May have been.

211
00:19:28,420 --> 00:19:30,140
May have been.

212
00:19:41,100 --> 00:19:43,820
Now this was all shot after we got back
from the desert.

213
00:19:44,520 --> 00:19:45,880
All this was shot after.

214
00:19:46,440 --> 00:19:48,280
First stuff we shot was the desert
stuff.

215
00:19:49,760 --> 00:19:52,240
I was only talking to them when I had to
talk to them.

216
00:19:57,600 --> 00:20:01,160
They're actually not like bad actresses.
Huh? They're pretty good actresses. Not

217
00:20:01,160 --> 00:20:02,160
bad.

218
00:20:02,660 --> 00:20:05,240
Now this guy was a stuntman at Knott's
Berry Farm.

219
00:20:11,020 --> 00:20:13,480
Oh, just because we're women, you think
we can't take care of ourselves?

220
00:20:13,900 --> 00:20:17,740
I didn't say that. Look, it's not a good
idea to be taking cancer. It's a

221
00:20:17,740 --> 00:20:20,500
dangerous place if you don't know what
you're doing. Oh, now we don't know what

222
00:20:20,500 --> 00:20:21,500
we're doing.

223
00:20:22,900 --> 00:20:24,320
Well, I'm going, and that's it.

224
00:20:25,120 --> 00:20:26,880
Well, I guess you've got something to
prove, huh?

225
00:20:27,460 --> 00:20:28,460
Maybe I have.

226
00:20:30,780 --> 00:20:33,580
I'll be home Sunday night, and let's see
if that process works.

227
00:20:44,080 --> 00:20:48,720
He's got like a nice, I don't know if
it's his E28, but he's got a nice

228
00:20:50,560 --> 00:20:51,539
The car?

229
00:20:51,540 --> 00:20:52,540
Yeah.

230
00:20:56,300 --> 00:21:03,160
And this guy

231
00:21:03,160 --> 00:21:04,360
was the sound man's father.

232
00:21:07,580 --> 00:21:09,620
That was the sound man by the bike.

233
00:21:09,840 --> 00:21:11,760
Oh, it was? Yeah. They'd set up the mic.

234
00:21:12,450 --> 00:21:16,330
Someone else was mad at him. I think his
dad was doing the sound that day.

235
00:21:18,710 --> 00:21:20,710
They were from New York, he and his son.

236
00:21:23,190 --> 00:21:24,190
Nice people.

237
00:21:34,190 --> 00:21:38,150
She has like a New York sounding accent.

238
00:21:52,360 --> 00:21:56,700
I think that car belonged to the
assistant director, now that I think

239
00:22:01,900 --> 00:22:05,220
See, now, that's either a copter or
something.

240
00:22:05,420 --> 00:22:08,700
I would not have printed that scene. I
would have gone and shot it again.

241
00:22:14,460 --> 00:22:18,000
That or the next door neighbor's point
is long. Oh, that's what it was, maybe,

242
00:22:18,140 --> 00:22:19,660
yeah. That's what it was.

243
00:22:21,770 --> 00:22:24,250
I wonder if that little kid knows he's
in Victims.

244
00:22:26,570 --> 00:22:32,350
I think that's La Mirada.

245
00:22:40,290 --> 00:22:41,630
That's Glenn singing, too.

246
00:22:44,750 --> 00:22:46,450
Glenn's very good. He's very good.

247
00:22:47,670 --> 00:22:48,670
I'd use him again.

248
00:22:50,340 --> 00:22:52,720
I wonder if he would still have any of
the tapes for this.

249
00:22:52,960 --> 00:22:56,100
I wonder if he would still have any of
the audio for this, like his actual

250
00:22:56,100 --> 00:22:58,720
tracks. I have no idea. I haven't talked
to him in years. I don't know.

251
00:23:02,300 --> 00:23:08,900
I wonder what street corner that is
right there.

252
00:23:10,260 --> 00:23:11,460
I'm sure it's changed a lot.

253
00:23:20,449 --> 00:23:23,590
This is where that couple's in there,
the British guy. And I had to dub his

254
00:23:23,590 --> 00:23:26,470
voice in one part of it. Oh.

255
00:23:40,810 --> 00:23:42,170
Yeah, this guy.

256
00:23:43,090 --> 00:23:46,890
There was a crate called the Urban
Cowboy Crate. Came out in 1980.

257
00:23:47,150 --> 00:23:48,730
Yeah. He was one of them.

258
00:23:49,050 --> 00:23:53,910
He was one of the big ones. He taught
the line dancing. He played at Knott's

259
00:23:53,910 --> 00:23:54,910
Berry Farm.

260
00:23:55,190 --> 00:23:57,810
That's why I remember him now. He was a
hell of a nice guy.

261
00:23:58,810 --> 00:24:01,050
The Travolta era.

262
00:24:02,390 --> 00:24:04,770
Yeah, it was during that exact same
time, 1881.

263
00:24:05,650 --> 00:24:06,770
79, 1881.

264
00:24:07,670 --> 00:24:09,290
And here's that British couple.

265
00:24:15,670 --> 00:24:16,670
That's my voice.

266
00:24:35,790 --> 00:24:39,590
All that right there looks like Benson
or Bisbee, Arizona.

267
00:24:39,930 --> 00:24:41,870
Yeah. Flat like that, huh? Yeah.

268
00:24:42,690 --> 00:24:43,970
Yeah, this is Hesperia.

269
00:24:46,430 --> 00:24:47,730
Had a nice little butt.

270
00:25:00,860 --> 00:25:03,040
Little Huggie.

271
00:25:34,240 --> 00:25:36,200
Don't look now, but I think someone
likes you.

272
00:26:01,020 --> 00:26:04,220
Nowadays, I'd have him take the money,
but I'd have him caress her hand as he

273
00:26:04,220 --> 00:26:05,220
takes the money.

274
00:26:05,240 --> 00:26:07,060
Stuff like that. I mean, you learn so
much.

275
00:26:57,870 --> 00:26:58,870
Sweat rock.

276
00:27:17,690 --> 00:27:18,690
Hello?

277
00:27:21,570 --> 00:27:25,910
And now, just follow the road to the
port, turn left, and you're at the end.

278
00:27:26,250 --> 00:27:29,150
A good old staff is spanking what they
need.

279
00:27:33,150 --> 00:27:34,410
I should tell you.

280
00:28:07,550 --> 00:28:11,990
Yeah, the cameraman named David

281
00:28:11,990 --> 00:28:16,890
Orange Shack, I think was his last name.

282
00:28:17,230 --> 00:28:18,530
He wore all black.

283
00:28:18,790 --> 00:28:20,290
Yeah. He always wore black.

284
00:28:25,410 --> 00:28:30,210
And I read of this piece of junk from
some guy that lived out there.

285
00:28:31,650 --> 00:28:33,010
Did it stall out on you?

286
00:28:33,310 --> 00:28:35,050
Huh? Did it stall out on you?

287
00:29:11,370 --> 00:29:12,370
body maybe?

288
00:29:42,190 --> 00:29:44,070
We filmed this whole sequence totally
different.

289
00:29:54,050 --> 00:29:55,390
Do you remember those two guys?

290
00:29:55,790 --> 00:29:57,210
Huh? Do you remember those two guys?

291
00:29:57,410 --> 00:30:03,190
I remember them, but I don't know where
they came from. I have no clue. I have

292
00:30:03,190 --> 00:30:03,989
no idea.

293
00:30:03,990 --> 00:30:08,310
Oh, I know where they are. The guy with
the beard? Mm -hmm. He was in the nut

294
00:30:08,310 --> 00:30:11,210
show at the wagon camp at Knott's Berry
Full.

295
00:30:12,530 --> 00:30:15,550
He was the guy that they pull up from
the audience, supposed to be there with

296
00:30:15,550 --> 00:30:17,230
his wife, and then they chase him.

297
00:30:18,050 --> 00:30:22,850
And the other guy, I think he was a
stuntman there, too. I think they're all

298
00:30:22,850 --> 00:30:24,130
stuntmen that I use in the thing.

299
00:30:24,530 --> 00:30:27,270
Not. Or actors, you want to call them,
whatever you want to call them.

300
00:30:49,360 --> 00:30:52,840
That should have been a dissolve instead
of a straight cut.

301
00:31:05,180 --> 00:31:11,720
Yeah, she sounds from New York. She has
an East Coast

302
00:31:11,720 --> 00:31:12,720
accent.

303
00:31:19,320 --> 00:31:23,500
And nobody's going to find this way out
of here. End of the world!

304
00:31:25,060 --> 00:31:26,260
Oh, my God.

305
00:31:28,260 --> 00:31:31,100
What do you say we set up camp before it
gets dark? Come on.

306
00:31:34,700 --> 00:31:35,180
This

307
00:31:35,180 --> 00:31:45,480
was

308
00:31:45,480 --> 00:31:46,980
shot in broad daylight in the morning.

309
00:32:14,279 --> 00:32:18,700
So how many people in the crew would you
say were on this movie?

310
00:32:19,560 --> 00:32:24,430
Well... A couple of the guys, like one
of the two bad guys, Lonnie, he helped

311
00:32:24,430 --> 00:32:25,369
carry stuff.

312
00:32:25,370 --> 00:32:26,690
I had a sound man,

313
00:32:27,410 --> 00:32:33,070
a boom man, and I had the cameraman and
me and the assistant director and the

314
00:32:33,070 --> 00:32:34,070
makeup lady.

315
00:32:35,510 --> 00:32:36,930
About six or seven.

316
00:32:41,790 --> 00:32:46,450
Very small crew, very small.

317
00:32:46,810 --> 00:32:49,670
But you don't need a lot of people if
you know what you're doing.

318
00:32:50,620 --> 00:32:52,360
I could have used some more, but I
didn't need them.

319
00:32:57,880 --> 00:32:58,880
See,

320
00:33:01,600 --> 00:33:04,980
now if I were filming this, I would have
shot it totally different, but I would

321
00:33:04,980 --> 00:33:07,780
have come in for close -ups on some of
the important lines here. Right.

322
00:33:17,660 --> 00:33:21,020
Did it get really cold at night during
the time of filming or in the morning?

323
00:33:21,040 --> 00:33:23,300
This is morning. No, not there.

324
00:33:23,840 --> 00:33:27,880
It can be, but the time I shot it, it
was, I

325
00:33:27,880 --> 00:33:32,280
think it was in the spring.

326
00:33:32,620 --> 00:33:33,620
I'm not sure.

327
00:33:34,340 --> 00:33:36,040
So it was warm out there in Asperia.

328
00:33:36,400 --> 00:33:39,400
Like spring of, would you say this is
spring of 81?

329
00:33:40,300 --> 00:33:43,780
Spring of 81. I think it was springtime.
It was 81, I know that.

330
00:33:46,770 --> 00:33:50,090
I'd been in Mott's about a year.

331
00:34:07,910 --> 00:34:12,630
Well, at least it looks like moonlight.

332
00:34:12,909 --> 00:34:13,909
It's just too dark.

333
00:34:14,639 --> 00:34:17,380
I would have to come in on close -ups
because you can't tell who's who.

334
00:35:06,930 --> 00:35:08,490
Scorcher. It'll be a scorcher.

335
00:35:11,410 --> 00:35:13,570
Oh, is this where they go skinny
dipping?

336
00:35:14,010 --> 00:35:15,010
Yeah.

337
00:35:16,670 --> 00:35:18,710
They gave me all kinds of hell about
this.

338
00:35:20,570 --> 00:35:24,510
They wanted to stay in bikini. I said,
no. They kept saying, less is more. And

339
00:35:24,510 --> 00:35:25,510
said, I don't give a shit.

340
00:35:25,990 --> 00:35:28,990
You saw the script. This is what we're
going to do.

341
00:35:30,310 --> 00:35:32,190
Oh, yeah, they ganged up. They were
something else.

342
00:35:33,110 --> 00:35:37,290
But, see, it was all, there was a guy
who was the assistant director.

343
00:35:38,230 --> 00:35:42,330
And he was an old lady, basically. And
he was the one that was instigating all

344
00:35:42,330 --> 00:35:43,069
of this stuff.

345
00:35:43,070 --> 00:35:44,170
I found out later on.

346
00:35:51,030 --> 00:35:57,830
What we were afraid of

347
00:35:57,830 --> 00:36:02,930
here, when we were not there, but when
we got to the spring, was that the

348
00:36:02,930 --> 00:36:03,930
rangers would be around.

349
00:36:04,210 --> 00:36:05,210
Oh, I see.

350
00:36:06,230 --> 00:36:08,910
But there is a spring up there where
they do skinny dipping.

351
00:36:10,570 --> 00:36:13,710
I'd get that and not worry about it, but
I'm always worried about that. Somebody

352
00:36:13,710 --> 00:36:17,930
watching, you know, whatever, busts you
or something, you know.

353
00:36:32,830 --> 00:36:36,550
But as a consequence, I never quite got
what I wanted in this scene coming up.

354
00:36:38,620 --> 00:36:40,160
As far as them skinny dipping?

355
00:36:40,560 --> 00:36:41,720
Yeah, I never got what I wanted.

356
00:36:43,720 --> 00:36:46,020
We can find out four of them and shoot
it again.

357
00:36:46,340 --> 00:36:50,680
I would have shot more close -ups.
That's what I would have shot, and more

358
00:36:50,680 --> 00:36:51,720
nudity than they showed.

359
00:36:51,940 --> 00:36:55,360
That's what I would have done. At that
point, I was so goddamn mad, I was

360
00:36:55,360 --> 00:36:56,360
talking to them anyway.

361
00:36:56,760 --> 00:36:59,240
You know, you're financing something,
you're under a lot of pressure.

362
00:36:59,600 --> 00:37:05,440
You only have two weeks to do it, and
you're out there in the desert, and

363
00:37:05,440 --> 00:37:09,440
working. Constantly. There's no break
except for lunch, quick lunch and bam,

364
00:37:09,440 --> 00:37:10,440
were up and out of it.

365
00:37:10,480 --> 00:37:13,300
And then when they give you trouble,

366
00:37:13,420 --> 00:37:19,180
it just wasn't,

367
00:37:19,180 --> 00:37:25,520
it was not a pleasant experience making
this movie.

368
00:37:28,620 --> 00:37:30,060
That girl looks pretty fit.

369
00:37:30,860 --> 00:37:33,780
Hmm? That girl looks pretty fit like she
went to the gym.

370
00:37:39,820 --> 00:37:43,620
I think that's called Deep Creek, and
it's the place where they go skinny

371
00:37:43,620 --> 00:37:44,620
dipping now.

372
00:37:45,860 --> 00:37:50,480
And at the time, I didn't know that. I
just found that lake. I was like, let's

373
00:37:50,480 --> 00:37:51,279
go in there.

374
00:37:51,280 --> 00:37:52,280
Let's do it there.

375
00:38:03,880 --> 00:38:08,140
I like the way the shot is composed
there. It's kind of a nice little shot,

376
00:38:08,280 --> 00:38:09,280
though.

377
00:38:10,660 --> 00:38:15,460
So as far as victims, did you have any
other locations that you wanted to shoot

378
00:38:15,460 --> 00:38:18,880
this other than the desert or you always
thought it would be? No, I shot a lot

379
00:38:18,880 --> 00:38:21,700
of stuff in the desert back in those
days. No, I thought this was a perfect

380
00:38:21,700 --> 00:38:25,360
place for it. In the desert, you don't
have to pay for any locations there.

381
00:38:26,420 --> 00:38:27,420
Nobody's going to bother you.

382
00:38:27,640 --> 00:38:28,680
You're away from everybody.

383
00:38:30,380 --> 00:38:33,900
And I like the landscape because I can
get some pretty dramatic stuff with it,

384
00:38:33,900 --> 00:38:34,900
you know.

385
00:38:37,800 --> 00:38:40,620
In those days, I didn't know much about
light and shadow either.

386
00:38:41,420 --> 00:38:46,140
Now, I love doing film noir because I'm
an expert at light and shadow anymore.

387
00:38:47,520 --> 00:38:50,440
So, I don't know. It's more fun to me
now. Much more fun.

388
00:38:50,920 --> 00:38:54,080
Because when you're learning, you're
learning. You don't know all the answers

389
00:38:54,080 --> 00:38:55,420
stuff. You know what I mean? Yeah.

390
00:39:50,610 --> 00:39:51,610
Wait.

391
00:39:54,730 --> 00:39:58,250
Funny how you remember those things, you
know. You remember a line or whatever.

392
00:40:33,970 --> 00:40:35,410
in the car.

393
00:41:33,940 --> 00:41:35,560
Big old boat of a car, huh?

394
00:41:36,080 --> 00:41:37,080
Yeah.

395
00:42:13,480 --> 00:42:15,620
Yeah, this is when all the bad things
start happening.

396
00:42:31,140 --> 00:42:33,560
Oh, the girl gets bit by a snake or
something, too?

397
00:42:33,920 --> 00:42:34,920
Or falls?

398
00:42:34,960 --> 00:42:35,960
Yeah. There's a snake in here.

399
00:42:36,180 --> 00:42:39,420
Yeah. The snake. I never saw one snake.
We're out in the desert. You know where

400
00:42:39,420 --> 00:42:40,420
I had to get the snake?

401
00:42:40,640 --> 00:42:44,340
From the ROP school down here in Orange
County in Anaheim, they have one there.

402
00:42:44,500 --> 00:42:45,299
Oh, really?

403
00:42:45,300 --> 00:42:46,300
Rattlesnake, yeah.

404
00:42:57,920 --> 00:43:00,260
Yeah, it's that girl that's walking up
to the top.

405
00:43:01,020 --> 00:43:04,660
Hmm? Yeah, the girl that's walking up to
the top. She's the one that gets...

406
00:43:04,660 --> 00:43:08,480
Yeah. She falls back, I think. Yeah.
Messes up her leg.

407
00:43:09,930 --> 00:43:13,330
I remember this just like yesterday,
shooting this scene. Just like

408
00:43:14,190 --> 00:43:15,190
Yeah,

409
00:43:15,370 --> 00:43:16,370
it was a nightmare for me.

410
00:43:30,510 --> 00:43:33,470
It blended in. It worked well. I mean,
it worked fine. No problem.

411
00:43:56,240 --> 00:44:01,140
See, at that time, 1981, you could make
a movie and not have anybody in it would

412
00:44:01,140 --> 00:44:03,080
sell. Especially a movie like this.

413
00:44:03,320 --> 00:44:08,200
Now, just imagine if I'd had another,
let's say, 10 grand, 15, 20 grand more.

414
00:44:08,200 --> 00:44:11,780
could have put some much prettier girls
in it. I could have had more production

415
00:44:11,780 --> 00:44:13,440
value. It would have been phenomenal.

416
00:44:15,260 --> 00:44:19,580
But this is bare bones, as bare bones as
it gets, you know.

417
00:44:20,360 --> 00:44:22,120
Still, it tells a story.

418
00:45:01,920 --> 00:45:08,800
So for the artwork, like the painting of
the key art for victims, did the guy

419
00:45:08,800 --> 00:45:12,280
see the movie, or did you just kind of
tell him what it was about?

420
00:45:13,880 --> 00:45:15,660
No, he saw the movie, I think.

421
00:45:17,620 --> 00:45:23,680
The artwork that we did for,

422
00:45:23,800 --> 00:45:28,100
I'll see if I can send you a copy of it.
The artwork we did for, it's on loan.

423
00:45:29,770 --> 00:45:33,930
The two Pamelas, out of this world,
different guy did it all together. I

424
00:45:33,930 --> 00:45:37,270
friend, if you ever need artwork, he's a
student at UCLA.

425
00:45:38,030 --> 00:45:41,070
He's a Hindu, and he's phenomenal.

426
00:45:41,650 --> 00:45:48,570
Now this, this was shot way down in
South Orange County, and I was the

427
00:45:48,570 --> 00:45:53,090
guy pushing all the rocks over off
camera, and it made it look like it was

428
00:45:53,090 --> 00:45:56,950
something more than that, but it took us
all day to shoot that goddamn thing.

429
00:45:57,090 --> 00:45:58,310
That was a lot of work.

430
00:45:58,720 --> 00:46:01,900
A lot of work. One guy pushing all those
rocks and somebody down there filming

431
00:46:01,900 --> 00:46:02,900
it.

432
00:46:03,640 --> 00:46:07,600
Yeah, that really big one looked like it
was leaning towards the right toward

433
00:46:07,600 --> 00:46:08,600
the camera.

434
00:46:09,160 --> 00:46:12,100
Well, when you're down there with the
camera, it could have hit something and

435
00:46:12,100 --> 00:46:15,700
moved toward the camera. It could have
wiped the camera out. That's where it

436
00:46:15,700 --> 00:46:16,700
looked like it was going.

437
00:46:17,640 --> 00:46:20,620
I have the... Oh, no, that was David
Orange's camera.

438
00:46:21,120 --> 00:46:26,800
Now, see this place here? That natural
little cave?

439
00:46:27,240 --> 00:46:28,900
We were filming there for two days.

440
00:46:29,340 --> 00:46:30,680
Look at that ass. That's nice.

441
00:46:31,120 --> 00:46:34,900
And on the third day, we'd finished
everything. I was standing there looking

442
00:46:34,900 --> 00:46:39,780
back this way, down in the valley, and I
saw our cars were parked way across the

443
00:46:39,780 --> 00:46:44,040
valley. And I saw this whole bunch of
cars pull up near ours, and a bunch of

444
00:46:44,040 --> 00:46:47,000
people get out, like hippies, kids,
whatever, adults.

445
00:46:47,240 --> 00:46:50,980
And then they're looking around, and one
of them points and sees us. So they

446
00:46:50,980 --> 00:46:54,940
come across the valley, up the hill, and
I told my castors, uh -oh.

447
00:46:55,880 --> 00:46:58,920
They get up there, and they were like
satanic people.

448
00:46:59,780 --> 00:47:03,160
And they said, what the fuck are you
doing here?

449
00:47:03,720 --> 00:47:05,100
I said, we're making a movie.

450
00:47:05,600 --> 00:47:07,960
They said, well, you get the fuck out of
here right now.

451
00:47:08,540 --> 00:47:10,300
I said, okay. So we left.

452
00:47:10,600 --> 00:47:14,420
Then I found out later on from Ronnie,
who lives up there, that a satanic cult

453
00:47:14,420 --> 00:47:16,300
is known to be in that area.

454
00:47:16,840 --> 00:47:19,220
But there was a pentagram inside that
cave.

455
00:47:19,560 --> 00:47:21,860
Somebody had burned it into the ground.

456
00:47:23,220 --> 00:47:24,220
Ashes of it.

457
00:47:24,360 --> 00:47:25,980
Or on the rock, I don't remember which.

458
00:47:32,780 --> 00:47:35,260
I wonder if people are still doing that
kind of stuff up there.

459
00:47:35,680 --> 00:47:39,160
We left a pentagram when I did Mark of
the Beast. That was a big production. We

460
00:47:39,160 --> 00:47:40,180
left a big pentagram.

461
00:47:40,780 --> 00:47:45,860
Some guy had built a little house out
there out of stone, carved it into the

462
00:47:45,860 --> 00:47:47,880
rock. It just was a vacation home.

463
00:47:54,110 --> 00:47:57,890
Lonnie started out with me in the
theater as a theater actor.

464
00:48:02,490 --> 00:48:03,490
1973.

465
00:48:06,430 --> 00:48:08,810
Yeah, 73.

466
00:48:09,130 --> 00:48:11,590
So I'd known him for about eight years
when we did this.

467
00:48:14,590 --> 00:48:15,770
Do you use them?

468
00:48:18,750 --> 00:48:22,810
A couple more times? I used him again. I
used him in, he had a small but a very

469
00:48:22,810 --> 00:48:27,230
great part in Streets of Death. Played a
pimp.

470
00:48:27,530 --> 00:48:28,530
And it was terrific.

471
00:48:29,830 --> 00:48:33,670
That was shot very well, the light and
shadow one. I liked it a lot. I liked

472
00:48:33,670 --> 00:48:34,670
that movie.

473
00:48:41,770 --> 00:48:44,790
I think he's gained a lot of weight now.
He and his wife are enormous beer

474
00:48:44,790 --> 00:48:49,150
drinkers, and I think he's probably
about 250 pounds or more, so he wouldn't

475
00:48:49,150 --> 00:48:50,470
good in a movie anymore.

476
00:48:51,370 --> 00:48:54,690
I haven't talked to him in years anyway.
He's a hell of a nice guy, but, you

477
00:48:54,690 --> 00:48:57,030
know, people move out of the area, you
lose touch with them.

478
00:48:57,930 --> 00:49:00,950
We kept in touch for the first few
years, and I'd go up there and see him.

479
00:49:12,000 --> 00:49:15,540
Did he end up watching this movie when
it was completed? Did he let you know

480
00:49:15,540 --> 00:49:16,540
what he thought?

481
00:49:16,820 --> 00:49:18,980
I don't remember, to be honest with you.

482
00:49:20,920 --> 00:49:21,920
He may have.

483
00:49:23,040 --> 00:49:24,600
He may have, but I don't remember.

484
00:49:27,640 --> 00:49:28,680
I'm sure he liked it.

485
00:49:29,280 --> 00:49:31,500
Hell, he was in it. What's he going to
say? I didn't like it.

486
00:49:32,100 --> 00:49:33,440
He was in it. He had a good part.

487
00:49:41,440 --> 00:49:45,780
Did they stick to the script as far as
what they say, or did they kind of ad

488
00:49:45,780 --> 00:49:48,300
-lib stuff? No, nobody ad -libbed
anything. I wouldn't let them.

489
00:49:49,180 --> 00:49:50,180
Now it's different.

490
00:49:50,660 --> 00:49:53,720
If I have a theme with some people, as
long as they get the gist of the scene,

491
00:49:53,900 --> 00:49:59,880
if they want to ad -lib, and ad -lib is
germane to what's going on, I'll let

492
00:49:59,880 --> 00:50:04,160
them get away with it. If it's not, and
they start off with something else, when

493
00:50:04,160 --> 00:50:09,220
you tell them... See, I'm a writer
first, you know. I told you who I've

494
00:50:09,220 --> 00:50:10,220
for.

495
00:50:10,680 --> 00:50:14,960
First thing is the word. The spoken word
is very important to me. But if

496
00:50:14,960 --> 00:50:21,100
something happens in the scene that's
phenomenal, keep it. I don't mind that.

497
00:50:21,160 --> 00:50:26,260
But these people were not savvy enough
at that point to ad -lib anything.

498
00:50:27,520 --> 00:50:29,300
So they didn't.

499
00:50:43,880 --> 00:50:45,200
shoot this differently, too.

500
00:50:46,200 --> 00:50:47,200
See,

501
00:50:53,540 --> 00:50:56,740
I'd get a close -up of the barrel
against her groin. Each girl.

502
00:50:57,200 --> 00:50:58,240
Put that in there.

503
00:50:58,700 --> 00:50:59,880
Make it more powerful.

504
00:51:06,560 --> 00:51:10,420
So when you shot this, you had one 16mm,
right?

505
00:51:11,160 --> 00:51:12,160
One camera?

506
00:51:13,460 --> 00:51:17,480
What the hell did he use? I can't
remember.

507
00:51:18,140 --> 00:51:21,520
I had the Bolex, but it wasn't the Bolex
he used. It was something else.

508
00:51:47,680 --> 00:51:51,220
I ad -libbed his voice in this theme too
because he wasn't around to dub it.

509
00:51:51,800 --> 00:51:52,800
That's me speaking.

510
00:51:53,160 --> 00:51:54,580
Trying to sound like Lonnie.

511
00:51:55,120 --> 00:51:56,520
That's me.

512
00:52:01,700 --> 00:52:02,700
Sound like him?

513
00:52:03,300 --> 00:52:04,300
A little bit.

514
00:52:16,620 --> 00:52:18,720
I like this little trip she does. It's
natural, see?

515
00:52:19,020 --> 00:52:24,600
It makes her seem more pathetic, more
vulnerable.

516
00:52:24,960 --> 00:52:26,820
It just happens.

517
00:52:33,580 --> 00:52:34,580
Jesus, he says.

518
00:52:34,940 --> 00:52:36,600
Oh no, that comes up later.

519
00:52:37,300 --> 00:52:38,300
Oh, he did say it.

520
00:52:41,520 --> 00:52:42,520
Get up.

521
00:52:44,900 --> 00:52:48,730
I said get up. Get up, or I'm going to
blow your friend's head off.

522
00:53:10,060 --> 00:53:14,740
I think she was probably the youngest
girl out of the four. She was. She was

523
00:53:14,740 --> 00:53:15,558
youngest one.

524
00:53:15,560 --> 00:53:17,320
The oldest one was the driver.

525
00:53:18,380 --> 00:53:22,340
Okay. And then I think this one in the
black hair, and then Jerry.

526
00:53:23,600 --> 00:53:25,760
It's a Scorcha, and then this girl here.

527
00:53:26,040 --> 00:53:31,800
She looks maybe like 20, maybe 21, or
maybe even younger.

528
00:53:32,820 --> 00:53:36,280
It's funny how I cast them. I cast them
all in a hotel over by the L .A.

529
00:53:36,340 --> 00:53:37,580
airport. I had no office.

530
00:53:37,780 --> 00:53:38,780
Yeah.

531
00:53:38,960 --> 00:53:42,500
And I just, we found a room in a hotel.
The guy let me use it to interview him.

532
00:53:42,680 --> 00:53:43,680
That's how we cast it.

533
00:53:48,640 --> 00:53:51,360
Did you have more than four girls show
up?

534
00:53:51,600 --> 00:53:53,820
No. Just the four and then you did that?

535
00:53:56,160 --> 00:53:57,420
Oh, I used what I had.

536
00:54:02,280 --> 00:54:04,840
See, I would have got close -ups, too,
of their faces when they're talking.

537
00:54:05,120 --> 00:54:07,560
Because you've got to see the
expression. You've got to see what's in

538
00:54:38,600 --> 00:54:42,680
So when you cast them or when you told
them about this... Well, they read the

539
00:54:42,680 --> 00:54:48,480
script. Did you put an ad in the paper
or something? Oh, yeah, I did put an ad

540
00:54:48,480 --> 00:54:49,600
in the paper and that's how that went.

541
00:54:49,920 --> 00:54:50,980
Do you still have that ad?

542
00:54:51,760 --> 00:54:54,120
Oh, I don't know. No, hell no, I
wouldn't have that ad.

543
00:54:56,980 --> 00:54:59,800
See, in those days, I'd finish something
and that was it. Yeah.

544
00:55:06,560 --> 00:55:08,560
Axelrod was the best thing in the whole
movie, I thought.

545
00:55:09,160 --> 00:55:10,460
I thought he was very good.

546
00:55:10,760 --> 00:55:11,760
Yeah, he's a good actor.

547
00:55:25,340 --> 00:55:29,040
Pretty powerful stuff, even today,
really, when you think about it.

548
00:55:29,740 --> 00:55:30,740
Rape and all that stuff.

549
00:55:37,390 --> 00:55:40,550
Somebody remarked, look at the shot
again. There, see the penis rock?

550
00:55:41,050 --> 00:55:44,210
Somebody remarked about that, that it
was the director's symbolism.

551
00:55:44,930 --> 00:55:47,130
It hadn't even occurred to me.

552
00:56:40,650 --> 00:56:41,710
That's a damn big step for you.

553
00:56:44,010 --> 00:56:45,010
That or not.

554
00:56:45,530 --> 00:56:46,770
Gotta get to the first aid kit.

555
00:57:13,340 --> 00:57:14,580
It's a Scorcher.

556
00:57:14,920 --> 00:57:18,500
Yeah. It's very Jewish, very New York
Jewish.

557
00:57:20,040 --> 00:57:22,380
Schlesel, her last name means key in
Yiddish.

558
00:57:23,600 --> 00:57:24,600
Jerry Key.

559
00:57:28,280 --> 00:57:34,300
Hurry up! I wonder if we were to walk
outside and see any of them, if you

560
00:57:34,300 --> 00:57:35,300
recognize them.

561
00:57:35,400 --> 00:57:37,200
Probably. I never forget a face.

562
00:57:51,280 --> 00:57:52,900
Some people change dramatically.

563
00:57:53,320 --> 00:57:54,720
Others don't change at all.

564
00:57:55,020 --> 00:57:57,080
It just depends on the person.

565
00:57:57,580 --> 00:58:01,040
But I can usually remember a face. I may
not remember the name, but the face I

566
00:58:01,040 --> 00:58:02,040
generally remember.

567
00:58:02,180 --> 00:58:03,180
Generally.

568
00:58:05,740 --> 00:58:12,360
So right in there is where

569
00:58:12,360 --> 00:58:14,200
that cult would do their thing?

570
00:58:14,740 --> 00:58:16,260
Yeah, we were up on a hill here.

571
00:58:16,720 --> 00:58:20,040
And across that way was the valley.

572
00:58:25,260 --> 00:58:26,600
He did the reading beautifully.

573
00:58:29,540 --> 00:58:29,980
I

574
00:58:29,980 --> 00:58:37,200
love

575
00:58:37,200 --> 00:58:41,640
the effect when she slams a car down on
his knuckles and breaks his knuckles.

576
00:58:44,140 --> 00:58:50,540
I'm surprised

577
00:58:50,540 --> 00:58:52,860
that they have a first aid kit.

578
00:58:55,050 --> 00:58:56,050
Yeah.

579
00:59:22,920 --> 00:59:25,780
So when you had a car like that, was it
also a hatchback?

580
00:59:26,300 --> 00:59:27,360
That wasn't my car.

581
00:59:28,320 --> 00:59:30,440
I don't know whose car that was.

582
00:59:30,680 --> 00:59:35,060
At that time, I was driving a... The
Pina? Yeah, the Pina.

583
00:59:35,820 --> 00:59:37,960
Oh, that's it. I think that was a
Datsun.

584
00:59:39,280 --> 00:59:40,900
It looks like a Datsun, doesn't it?

585
00:59:41,320 --> 00:59:44,240
Yeah, but it wasn't mine. I don't know
whose car that was. I have no clue.

586
00:59:45,700 --> 00:59:47,460
It may have been the makeup girl's car.

587
00:59:47,820 --> 00:59:48,820
I don't know.

588
01:00:01,470 --> 01:00:02,530
Oh, no, no, 81?

589
01:00:04,390 --> 01:00:06,350
Yeah, 81, I was driving a Pinto.

590
01:00:06,650 --> 01:00:08,090
I had a Pinto Fastback.

591
01:00:08,990 --> 01:00:12,910
Not the hatchback, the Fastback. It was
kind of unique. I loved the floor shift.

592
01:00:13,230 --> 01:00:14,310
It was a great car.

593
01:00:14,630 --> 01:00:17,610
It had 250 ,000 miles on it when I gave
it away.

594
01:00:19,350 --> 01:00:20,350
Perfect condition.

595
01:00:21,350 --> 01:00:23,550
I gave it to a friend of mine, wife.

596
01:00:52,910 --> 01:00:54,330
She really was scared up there.

597
01:00:54,530 --> 01:00:56,130
That's why she bent down like that.

598
01:00:59,750 --> 01:01:01,490
Yeah, she's not wearing any shoes or
anything.

599
01:01:10,850 --> 01:01:14,430
Nowadays, I would have had a stuntman go
over and then a dummy.

600
01:01:20,650 --> 01:01:24,070
On Mark of the Beast, we had a stuntman
break his back and his leg.

601
01:01:24,730 --> 01:01:30,670
Remember I told you they set the fiancé
on fire and throw him off the cliff?

602
01:01:30,810 --> 01:01:34,030
Yeah. There was a descender rope on him
like that. You couldn't see with the

603
01:01:34,030 --> 01:01:35,030
harness.

604
01:01:35,050 --> 01:01:36,710
And we had four cameras set up.

605
01:01:36,990 --> 01:01:41,570
And the guy that was running the
descender rope had let some slack in it.

606
01:01:41,570 --> 01:01:42,570
75 feet.

607
01:01:42,810 --> 01:01:46,130
Wow. And so when he fell, it was
beautifully shot, but he hit.

608
01:01:47,790 --> 01:01:49,670
He never stunted again. Steve Davis.

609
01:01:52,330 --> 01:01:57,290
I have a friend who worked on the
original Conan the Barbarian, and

610
01:01:57,290 --> 01:02:01,250
like that happened where I think the guy
passed away. He fell off a cliff,

611
01:02:01,350 --> 01:02:02,350
turned into a stunner.

612
01:02:02,730 --> 01:02:05,450
Oh, this is that Oriental girl. I liked
her.

613
01:02:05,890 --> 01:02:07,430
I could have filmed her all week.

614
01:02:11,430 --> 01:02:17,710
She was a real player. I liked her. She
was gung -ho.

615
01:02:33,610 --> 01:02:38,210
So this was shot after the movie? This
was shot after the other stuff was done.

616
01:02:39,950 --> 01:02:43,610
If you would have found her beforehand,
would you have made a use for her?

617
01:02:43,890 --> 01:02:46,390
Hell yeah, in a heartbeat. She was a
wonderful person.

618
01:02:46,730 --> 01:02:50,070
Just as gung -ho to do whatever we
wanted her to do, it didn't matter.

619
01:02:50,950 --> 01:02:52,050
She was just great.

620
01:02:52,510 --> 01:02:55,730
You know, when you find somebody like
that, you want to use them over and

621
01:02:58,640 --> 01:03:02,160
I have never been, I've never had
problems filming anybody hardly ever.

622
01:03:02,460 --> 01:03:08,560
This one and two Pamela's were some
problems, but not much. But this one was

623
01:03:08,560 --> 01:03:12,000
a class by itself because when it was
over, I never wanted to see these girls

624
01:03:12,000 --> 01:03:13,000
ever again.

625
01:03:29,460 --> 01:03:30,620
And these whores.

626
01:03:34,140 --> 01:03:34,620
You

627
01:03:34,620 --> 01:03:41,720
see

628
01:03:41,720 --> 01:03:43,520
yourself the way they're dressed.

629
01:03:47,160 --> 01:03:49,300
So you see, bitch, we're too good for
you.

630
01:04:25,320 --> 01:04:26,560
His friend's death was natural.

631
01:04:27,460 --> 01:04:29,820
But in his case, justice has been
served.

632
01:04:30,340 --> 01:04:32,560
He paid first time for his life.

633
01:04:33,600 --> 01:04:36,460
So if he died, he was a justifiable
homicide.

634
01:04:39,920 --> 01:04:43,180
Then we'd have to live with the memory
of your death for the rest of our lives.

635
01:04:44,660 --> 01:04:46,520
And we've had enough pain already.

636
01:04:49,300 --> 01:04:50,300
I'm going.

637
01:05:06,560 --> 01:05:13,440
Years. That's my

638
01:05:13,440 --> 01:05:15,440
knife they use, by the way. My hunting
knife.

639
01:05:16,340 --> 01:05:17,400
My Bowie knife.

640
01:05:17,800 --> 01:05:20,660
It's lost. Somewhere it got lost along
the way.

641
01:05:21,100 --> 01:05:24,100
That one right there? Yeah, not there.
It got locked somewhere. It may have

642
01:05:24,100 --> 01:05:26,000
gotten locked. I don't know. It was a
great knife.

643
01:05:29,140 --> 01:05:34,860
I worked on another movie and it was
called Satan's Blade and they threw a

644
01:05:34,860 --> 01:05:39,480
like that in a tree and a few of them
were lost somewhere in Northern

645
01:05:39,480 --> 01:05:41,400
California. That always happens.

646
01:06:08,610 --> 01:06:10,450
He's reliving the thing with the
prostitute.

647
01:06:23,400 --> 01:06:24,820
Okay, can you stop it now?

648
01:06:25,160 --> 01:06:27,440
I don't want to see the last part of it.
Okay.

649
01:06:27,720 --> 01:06:30,140
Then we can do the interview because I'm
going to have to get going here.

650
01:06:31,440 --> 01:06:34,440
All right, everyone, as you heard, Jeff
Hathcock had to go.

651
01:06:34,660 --> 01:06:39,180
We actually ended up doing an on -camera
interview after this. I asked him some

652
01:06:39,180 --> 01:06:43,520
questions in regards to the film, see if
he remembered anything, which he

653
01:06:43,520 --> 01:06:44,660
remembers quite a bit.

654
01:06:45,400 --> 01:06:50,140
But basically, Victims was shot in the
springtime of 1981.

655
01:06:51,420 --> 01:06:56,480
He was working at Knott's Berry Farm at
the time and decided he wanted to shoot

656
01:06:56,480 --> 01:07:00,260
a film with the week off he had at work,
and he asked for an additional week off

657
01:07:00,260 --> 01:07:01,320
of work and got it.

658
01:07:01,740 --> 01:07:07,480
And then he put an ad in the paper, and
he saw four girls in a hotel room, and

659
01:07:07,480 --> 01:07:11,040
he cast the four girls that came, which
are the girls that are in the film now.

660
01:07:11,940 --> 01:07:16,500
It was shot up in Burbank, which is
basically right by Knott's Berry Farm.

661
01:07:16,720 --> 01:07:19,920
It's maybe about a 20 -minute drive from
Los Angeles.

662
01:07:21,290 --> 01:07:26,810
Then it took him another year after the
film was completed to do the audio and

663
01:07:26,810 --> 01:07:30,510
also to cut the movie together from the
16mm print.

664
01:07:31,870 --> 01:07:37,170
So it got picked up by Scimitar in 1984
and it was distributed in 1985.

665
01:07:39,550 --> 01:07:45,430
So Jeff had sent them the master, the
16mm print of the film, never got it

666
01:07:45,510 --> 01:07:48,650
So he has absolutely no idea where it
is. We try to find it.

667
01:07:49,050 --> 01:07:51,870
but have no clue as to where it can be
at this time.

668
01:07:52,070 --> 01:07:55,010
So we did use another source that I had.

669
01:07:55,410 --> 01:07:57,810
It looks as good as it can be for what
it is.

670
01:07:58,170 --> 01:08:01,870
We cleaned up the audio a bit because it
was really difficult to listen to.

671
01:08:03,030 --> 01:08:07,990
But, yeah, we appreciate Jeff for doing
the interview and taking a couple hours

672
01:08:07,990 --> 01:08:11,650
out of his day to do the commentary for
most of it.

673
01:08:11,930 --> 01:08:14,970
There's only about seven minutes of it
or so that are missing.

674
01:08:15,610 --> 01:08:17,710
But we're hoping to have this released.

675
01:08:19,020 --> 01:08:21,720
I would say March of 2017.

676
01:08:22,960 --> 01:08:26,640
Today is December 18th, 2016.

677
01:08:27,660 --> 01:08:29,720
So yeah, we should be coming out with it
soon.

678
01:08:30,340 --> 01:08:33,580
Thank you, everybody. This is Paisley
Charan with Slasher Video.

679
01:08:34,479 --> 01:08:37,460
There you are. Now you know what kind of
girls they were.

680
01:08:38,080 --> 01:08:39,600
The two men, what were they doing?

681
01:08:39,960 --> 01:08:42,479
I recall it seemed like they were having
car trouble.

682
01:08:42,760 --> 01:08:45,279
They popped over to the side of the
garage with a hood out.

683
01:08:45,520 --> 01:08:46,520
Have you seen people?

684
01:08:48,490 --> 01:08:51,670
It looked like they were acquainted with
the girls. I saw them talking to the

685
01:08:51,670 --> 01:08:53,149
girls, and they were smiling, too.

686
01:08:53,450 --> 01:08:55,649
It certainly looked to me like they knew
each other.

687
01:08:56,450 --> 01:08:57,450
What happened then?

688
01:08:58,330 --> 01:08:59,990
The girls got in their car and left.

689
01:09:00,790 --> 01:09:01,890
Did the men go with them?

690
01:09:02,430 --> 01:09:04,050
No, they were still there when we left.

691
01:09:04,270 --> 01:09:07,050
But I saw them waving to the girls as
they drove away.

692
01:09:07,910 --> 01:09:10,189
Waving? Well, you know, like this.

693
01:09:13,609 --> 01:09:15,149
Thank you. You've been very helpful.

694
01:09:15,689 --> 01:09:17,450
We'll call in again if we need to talk
to you.

695
01:09:17,760 --> 01:09:21,580
It's dope, Marshall. That's what's
ruining our young people. I'm sure

696
01:09:21,580 --> 01:09:23,540
find there's dope and sex involved.

697
01:09:24,100 --> 01:09:25,100
You may be right.

698
01:09:30,600 --> 01:09:32,020
I just talked to the hospital.

699
01:09:32,300 --> 01:09:34,100
The girl's got a fractured hip, but
she'll be okay.

700
01:09:34,580 --> 01:09:39,279
The only physical damage to the man is a
gunshot wound in the left fall.

701
01:09:39,680 --> 01:09:42,700
The real problem is mental. They say
it's completely massive mold.

702
01:09:43,479 --> 01:09:45,399
Maybe something's scared him. Could be.

703
01:09:46,510 --> 01:09:48,710
Let me know as soon as the boys get back
on the same flight.

704
01:10:01,030 --> 01:10:02,230
Your folks have been notified.

705
01:10:02,930 --> 01:10:03,930
They're on their way.

706
01:10:05,010 --> 01:10:06,010
How's Jarvis?

707
01:10:07,190 --> 01:10:08,190
He's okay.

708
01:10:08,390 --> 01:10:10,530
But your male friend, he's in bad shape.

709
01:10:10,890 --> 01:10:11,950
He's not our friend.

710
01:10:12,950 --> 01:10:14,790
We told you what happened!

711
01:10:16,140 --> 01:10:20,540
Until he's able to talk and tell us
about his story, we have to do it.

712
01:10:21,120 --> 01:10:22,780
All I got is your word for a
declaration.

713
01:10:24,080 --> 01:10:26,860
Physical examination will prove that
we're telling you the truth.

714
01:10:28,060 --> 01:10:30,660
All that will prove that you have to
intercourse with him.

715
01:10:31,380 --> 01:10:34,880
Right now, I got a man out of his mind
with a bullet hole through his leg.

716
01:10:35,200 --> 01:10:37,300
From all I know, he may have been the
victim.

717
01:10:37,520 --> 01:10:38,520
You see?

718
01:10:45,710 --> 01:10:48,770
a heck of a lot easier for all of you if
you tell me what you did with the

719
01:10:48,770 --> 01:10:49,770
money.

720
01:10:49,950 --> 01:10:51,090
What money?

721
01:10:51,770 --> 01:10:53,710
The money from the gas station hold -up.

722
01:10:53,970 --> 01:10:57,350
I don't know anything about a hold -up.
What are you trying to say?

723
01:10:58,710 --> 01:11:03,810
Ladies, a man who has gotten that hold
-up has been serious enough.

724
01:11:04,570 --> 01:11:09,010
But if that attendant should die, you're
going to find yourself in more trouble

725
01:11:09,010 --> 01:11:10,050
than you ever dreamed of.

726
01:11:12,560 --> 01:11:16,660
So help me God, we don't know anything
about any gas station. Hold up!

727
01:11:18,760 --> 01:11:19,820
Oh, God.

728
01:11:20,720 --> 01:11:21,720
All right.

729
01:11:22,260 --> 01:11:23,460
Have it your own way.

730
01:11:24,200 --> 01:11:26,400
I just don't understand your tricks
nowadays.

731
01:11:27,640 --> 01:11:29,940
Think you're always getting yourselves
into trouble.

732
01:11:36,180 --> 01:11:39,420
They brought the body in. Found him in a
ravine where the real city was.

733
01:11:40,330 --> 01:11:43,490
The tow truck's bringing in the girl's
car and the one stolen at the gas

734
01:11:43,490 --> 01:11:44,490
station.

735
01:11:44,550 --> 01:11:45,630
Any sign of the money?

736
01:11:45,910 --> 01:11:46,910
Nothing yet.

737
01:11:47,230 --> 01:11:50,770
They did pick up two hunting rifles.
Most likely the ones used in the

738
01:11:52,470 --> 01:11:53,470
All right, good work.

739
01:11:53,590 --> 01:11:55,570
Oh, that truck driver that picked the
group up.

740
01:11:55,890 --> 01:11:58,350
Get his name and phone number. I'll
probably want to quote them again.

741
01:11:59,590 --> 01:12:01,490
We found the body where he said it was.

742
01:12:02,550 --> 01:12:03,950
And some cars with rifles.

743
01:12:06,070 --> 01:12:08,510
We'll be just a matter of time before we
find the money.

744
01:12:11,690 --> 01:12:13,350
It would be to your benefit to tell us
the truth.

745
01:12:13,770 --> 01:12:16,010
We told you the truth, but you won't
listen.

746
01:12:17,810 --> 01:12:20,010
Okay, ladies. Any way you want it.

747
01:12:20,330 --> 01:12:22,210
But let me tell you how it looks from
here.

748
01:12:23,230 --> 01:12:25,110
You all planned a robbery together.

749
01:12:25,470 --> 01:12:27,190
Then you hightailed it to the hills.

750
01:12:27,930 --> 01:12:31,390
You drank, smoked pot, had your little
Aussies.

751
01:12:32,230 --> 01:12:33,230
Somebody got killed.

752
01:12:34,050 --> 01:12:35,050
Tempest blazed.

753
01:12:35,710 --> 01:12:37,870
There was a shootout, and one man died.

754
01:12:39,110 --> 01:12:41,070
Then one of you thought up the right
story.

755
01:13:07,980 --> 01:13:09,100
and died a few months ago.

756
01:13:12,160 --> 01:13:14,920
But not before we gained consciousness.

757
01:13:17,860 --> 01:13:22,940
It was clear during any part of the
robbing that it was two men.

758
01:13:25,280 --> 01:13:27,340
They forced him to tell them where you
were going.

759
01:13:30,500 --> 01:13:33,360
He still wanted to press the rape
charges against him.

760
01:13:35,200 --> 01:13:36,920
They'll have to dismiss what he found
later.

761
01:13:47,210 --> 01:13:50,790
From what I saw of Mike, it won't make
much difference since he mentally

762
01:13:50,790 --> 01:13:53,290
his pants right out and made out with
you.

